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5.11 Tactical — Spring/Summer — Russian Corporate

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5.11 SPRING/SUMMER 2024 CATALOGUE

5.11 Catalogue 2023 - $USD

5.11 Catalogue 2023 - SEK

5.11 Catalogue 2023 - £GBP

5.11 Catalogue 2023 - €Euro

 PROFESSIONAL GEAR - 2022 NEWS - EUR

2021 FALL/WINTER Gun

2021 FALL/WINTER Green

2021 Fall/Winter Black

2021 Fall/Winter EUR Gun

2021 FALL/WINTER EURO Green

2021 FALL/WINTER EURO Black

5.11 Tactical - Spring/Summer - USD

5.11 Tactical - Spring/Summer - SEK

5.11 Tactical - Spring/Summer

РУССКИЙ + + + ВЕСНА-ЛЕТО | 2019 + + +

  • Page 2 and 3: 002
  • Page 4 and 5: НОВИНКИ БРЮКИ ОДЕЖ
  • Page 6 and 7: 006
  • Page 8 and 9: 019 019 019 117 367 134 134 Kangaro
  • Page 10 and 11: 018 092 120 192 019 116 190 082 367
  • Page 12 and 13: 019 186 018 092 162 192 019 120 192
  • Page 16 and 17: 019 162 169 190 724 019 162 724 019
  • Page 18 and 19: + + + S — (190), см. на ст
  • Page 20 and 21: 019 019 Black 019 328 Sandstone 098
  • Page 22 and 23: 022
  • Page 24 and 25: 363 Khaki Heather 820 Dusty Sage 36
  • Page 26 and 27: 010 White 644 Blue Water Stripe 010
  • Page 28 and 29: 010 820 019 Black 146 239 Thyme 019
  • Page 30 and 31: 092 Storm 120 Coyote 019 190 019 18
  • Page 32 and 33: 019 169 162 724 190 XPRT ® Tactica
  • Page 34 and 35: 010 692 724 Dark Navy 160 Silver Ta
  • Page 36 and 37: 447 Mahogany 019 Black 019 773 018
  • Page 38 and 39: 265 Pebble Heather 784 Blueprint He
  • Page 40 and 41: + + + Lc — c (019), см. на с
  • Page 42 and 43: 042
  • Page 44 and 45: 019 258 Flint 276 Moss Heather 276
  • Page 46 and 47: 787 Peacoat 019 082 KINETIC FULL ZI
  • Page 48 and 49: 048
  • Page 50 and 51: 019 518 191 Moss 108 522 191 693 1
  • Page 52 and 53: 724 Dark Navy 019 Black 019 019 724
  • Page 54 and 55: 117 Burnt 191 Moss 019 191 019 191
  • Page 56 and 57: 693 Royal Blue 352 Coin 019 566 352
  • Page 58 and 59: 019 477 120 724 192 120 Coyote 5 4
  • Page 61 and 62: ОДЕЖДА ДЛЯ ТРЕНИРО
  • Page 63 and 64: 019 637 637 Mystic 721 Pacific Navy
  • Page 65 and 66: + + + M S/S — c (019), м. на
  • Page 67 and 68: 019 092 Storm 019 192 709 Regatta 0
  • Page 69 and 70: + + + 5.11 c M S — c (019), см.
  • Page 71 and 72: ОБУВЬ КРОССОВКИ •
  • Page 73 and 74: 019 106 106 Dark Coyote APEX BOOTS
  • Page 75 and 76: 019 019 Black EVO BOOTS 12361
  • Page 77 and 78: + + + — (106), см. на ст
  • Page 79 and 80: 019 460 001 019 // L(019) //
  • Page 81 and 82: КОНЦЕПТ УНИФОРМЫ XPR
  • Page 83 and 84: + + + XPRT ® Uniform // Tactical a
  • Page 85 and 86: QUANTUM TDU // Combining a new fit
  • Page 87 and 88: + + + FAST-TAC TDU // Lightweight a
  • Page 89 and 90: TERRAIN
  • Page 91 and 92: СУМКИ И РЮКЗАКИ РЮК
  • Page 93 and 94: 014 186 019 134 186 Ranger Green AM
  • Page 95 and 96: ® HEXGRID АБСОЛЮТНАЯ Т
  • Page 97 and 98: + + + 24 cc — S (328), см. на
  • Page 99 and 100: 083 787 146 862 266 266 Stealth Bla
  • Page 101 and 102: 019 294 734 828 828 Grenade DART24
  • Page 103 and 104: 021 Asphalt 092 Storm 019 019 092 1
  • Page 105 and 106: 019 236 019 236 026 026 328 026 328
  • Page 107 and 108: + + + L — (186), см. на с
  • Page 109 and 110: 019 019 Black 019 019 Black 019 019
  • Page 111 and 112: HARDCASES 57003 HC 940 F (CUBED FOA
  • Page 113 and 114: 019 Black 019 019 019 Black OPERATO
  • Page 115 and 116: РАЗГРУЗОЧНОЕ СНАРЯ
  • Page 117 and 118: 019 019 Black 019 019 Black 328 TAC
  • Page 119 and 120: FLEX UTILITY POUCHES SIDEWINDER STR
  • Page 121 and 122: MAGAZINE, GRENADE & SHOTGUN AMMO PO
  • Page 123 and 124: 019 019 Black 019 019 Black 019 019
  • Page 125 and 126: АКСЕССУАРЫ ПЕРЧАТК
  • Page 127 and 128: 019 019 Black 019 019 Black 019 019
  • Page 129 and 130: + + + M24 cc — (186), см. на
  • Page 131 and 132: + + + c — (134), см. на ст
  • Page 133 and 134: OPERATOR AXE 51144 OPERATOR AXE COM
  • Page 135 and 136: + + + c — c (019) S (328), см.
  • Page 137 and 138: HEADWEAR Цветовые соот
  • Page 139 and 140: ТАБЛИЦА РАЗМЕРОВ С

Xs xprt free что это

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  • Электронные устройства
  • Столовые принадлежности, посуда
  • Ножи и оборудование
  • Плечевые сумки, сумки
  • Полевое снаряжение
  • Сувениры, антикварные вещи
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Persistence XPRT

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24 часа Неделя Месяц 3 Месяца Год Всё время
Holder Trading View

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XPRT

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  • Официальный сайт — persistence.one
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  • Facebook — facebook.com
  • GitHub — github.com/persistenceOne/persistenceCore

Петербургские египтологические чтения 2007-2008. Памяти Олега Дмитриевича Берлева. К 75-летию со дня рождения. Доклады

ST.PETERSBURG EGYPTOLOGICAL READINGS 2007–2008. In Commemoration of Oleg Dmitrievich Berlev On the Occasion of his 75th Birthday. Papers of the Conference St.Petersburg Egyptological Readings being the main annual conference of Russian Egyptologists since 2004 are organized by the State Hermitage Museum, the Oriental Faculty of the St.Petersburg State University and the Institute of Oriental Manuscripts (formerly St.Petersburg Branch of the Institute of Oriental Studies) of the Russian Academy of Sciences. Collected papers of the conferences edited by Andrey O. Bolshakov are published by the Hermitage Museum.

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ST. PETERSBURG EGYPTOLOGICAL READINGS 2009–2010. In Commemoration of Svetlana Ismailovna Hodjash. In Commemoration of Alexander Serafimovich Chetverukhin. PAPERS OF THE CONFERENCE St.Petersburg Egyptological Readings being the main annual conference of Russian Egyptologists since 2004 are organized by the State Hermitage Museum, the Oriental Faculty of the St.Petersburg State University and the Institute of Oriental Manuscripts (formerly St.Petersburg Branch of the Institute of Oriental Studies) of the Russian Academy of Sciences. Collected papers of the conferences edited by Andrey O. Bolshakov are published by the Hermitage Museum.

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ST.PETERSBURG EGYPTOLOGICAL READINGS 2006. In Commemoration of Wladimir Golénischeff. On the Occasion of his 150-th Birthday. PAPERS OF THE CONFERENCE St.Petersburg Egyptological Readings being the main annual conference of Russian Egyptologists since 2004 are organized by the State Hermitage Museum, the Oriental Faculty of the St.Petersburg State University and the Institute of Oriental Manuscripts (formerly St.Petersburg Branch of the Institute of Oriental Studies) of the Russian Academy of Sciences. Collected papers of the conferences edited by Andrey O. Bolshakov are published by the Hermitage Museum.

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Из истории советского востоковедения: новые архивные источники по развитию египтологии в 1940 – 1960 гг.

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EGYPTOMANIA. For the 200th Anniversary of the Decipherment of Egyptian Hieroglyphs by Jean-François Champollion. EXHIBITION CATALOGUE. Ed. by Andrey Bolshakov & Andrey Nilkolaev. 664 pp. St. Petersburg, 2023. The year 2022 marks the two hundredth anniversary of Egyptology, which was born on 14 September 1822, the day when Jean-François Champollion found a clue to the decipherment of Egyptian hieroglyphs. The State Hermitage Museum celebrates this jubilee with an exhibition paying tribute to Egyptomania and the dawn of Egyptology. Egyptomania is commonly described as the use of Egyptian elements in arts, a phenomenon akin to an abundance of numerous examples of historicism, but definitely broader and more profound. Already considered to be ancient as early as the lifetime of Herodotus, Egyptian culture never stopped amazing the Greeks, sparking a myth about its mysterious sapience. This was what actually gave rise to beliefs about Hermes Trismegistus, which paved the way for Hermeticism and left their mark on the philosophy of Neoplatonism. With Egypt’s incorporation, the Roman Empire saw the spread of Egyptian cults in its territory, the inflow of Egyptian antiquities to Rome and creation of monuments in Egyptian style. For a long time, Europe had very little understanding of what Egypt had actually been like. It was for that reason that any respective representations of Egypt would show the few known typical attributes, such as pyramids, obelisks or sphinxes. All of this is discussed in the first section of this catalogue. The following part features works in which Egyptian heritage is reinterpreted by Western European culture through the prism of Classical Antiquity. Also included are biblical episodes related to Egypt. When the Dark Ages gave way to the Renaissance, the discovery of classical texts as well as Egyptian and Egyptising artefacts in Rome brought Egyptomania to one of its peaks, in the realm of both arts and philosophy. That period was marked by endeavours to interpret hieroglyphs, still bound to fail as, not surprisingly for the symbolism-laden Renaissance epoch, they were seen as nothing but symbols. The age of Enlightenment engendered a scholar approach to Egypt, but it continued to be routinely viewed as a source of exotic motifs. The way Egypt was interpreted by the art of the Renaissance and early modern period until the late eighteenth century is showcased by yet another section of the exhibition. Napoleon Bonaparte’s Egyptian campaign in 17981801 became Europe’s first discovery of Egypt due to the efforts of the scholars involved in his expedition, who copied and then published a whole host of ancient monuments. One of them was the legendary Rosetta Stone with bilingual text in Egyptian and Greek, which predetermined the eventual decipherment of hieroglyphs. A corresponding part of the exhibition shows materials associated with both military and scholarly aspects of this campaign. Inviting new research, inscriptions that were now available and the Rosetta Stone in particular spawned a number of attempts to crack the Egyptian writing in the first quarter of the nineteenth century. A clear triumph was the undertaking of Jean-François Champollion, who did not only manage to unveil the phonetic nature of this script, but also created the first Egyptian grammar, pioneering Egyptology as a whole. The fascinating story of this decipherment, with its failures and advances, is narrated by one of the central sections, which comprises a diversity of materials from the publication of a treatise by Horapollo, who was active in the fifth century AD and tried to explain the meaning of many hieroglyphs, to attempts to read the text on the Rosetta Stone and Champollion’s letters and books. Champollion’s breakthrough and the rise of Egyptology took the study of Egypt and reflections upon it in divergent directions. Starting from the mid-nineteenth century Egypt became accessible to a plenitude of European artists, who produced realistic visualisations of its monuments, albeit with an exotic touch and emphasised Oriental qualities. This distinctive Orientalism, not a case of Egyptomania per se, is displayed too. The largest sections are devoted to Egyptomania in applied arts, covering a span of the late eighteenth, entire nineteenth and early twentieth centuries. Among the highlights is the monumental Egyptian service produced by the Sèvres Porcelain Manufactory and presented by Napoleon to Alexander I. Its design draws upon the materials published by the members of Napoleon’s expedition to Egypt. In the second half of the nineteenth century, Egypt took centre stage in theatre performances, including drama, opera and ballet. The display puts on view a whole panoply of sketches of costumes and sets, librettos, photographs of actors and scenes as well as various stage accessories. The exhibition is brought to a close by a selection of contemporary photographs illustrating Egyptian motifs in the architecture of St Petersburg.

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